In my giddy & impressionable university years I doted somewhat on musique concrète & Stockhausen, and even once played guitar in a Victoria University Music Department performance of Aus den sieben Tagen. I spent many hours home alone with a couple of tape recorders whipping up wild & dangerous sound collages, (These days you’d call it ‘sampling’, I guess) and even had one of these items played at some Wellington festival or other. Clearly this unfortunate phase never ended, as I now find myself heading down a new yet senseless path of abstract /electronic abandon. Unfortunate doors, guitars, someone’s dad playing the piano, synthesizers, the aroma of cheap brie….should you too jettison reason & taste, you may find yourself checking out the tracks from my forthcoming leap into obscurity The Disturbing Hedge on Bandcamp.
Titles:
reminders hints or shadows
this is no exception
a respectful distance
the disturbing hedge
still life with hangover
across the swamp of time
who struck the match?
All compositions, voices, lyrics, noises and instruments by my evil twin, Van Da Miért.
